From the June 9th issue of Newsweek: “Hail to the Thief” is both dazzling and frustrating; it refuses to give up its secrets even after a dozen listens.
Music critics are already calling Radiohead’s new album, “Hail to the Thief,” a return to the straight-ahead guitar rock of the Oxford quintet’s early days. It makes me wonder: did I get the wrong CD in the mail? TRUE, “HAIL” HAS a few almost-radio-friendly tracks—like the album-opening “2 ??2 = 5,” a mini-symphony that builds to an ecstatic climax, and the dripping-with-dread finale, “A Wolf at the Door.” But there’s little else to suggest that Radiohead has abandoned the experimental left turn it took after the 1997 classic “OK Computer.” Like “Kid A” and “Amnesiac,” the two CDs that followed, “Hail” is both dazzling and frustrating; it refuses to give up its secrets even after a dozen listens.
Singer Thom Yorke has a gorgeous, yearning voice, but instead of drawing you close, he often uses it to freeze you out. He’s always written casually vicious lyrics—”We hope that you choke” from “OK Computer” is a personal favorite—but “Hail to the Thief” seems bent on setting new records for emotional distance (“We can wipe you out anytime”; “We are accidents waiting to happen”). The intention is to evoke the way modernity slowly grinds people to dust—one of this group’s career-long obsessions. [full story]