While there are many early reviews already pouring in for The King Of Limbs, there are also some more carefully thought out articles that are placing the record in a larger context. Over at Vulture, the always excellent Nitsuh Abebe has composed a thoughtful and interesting article about Radiohead’s unique place in today’s ever changing music landscape:
They’re the one band who can self-release music like this and have people lined up to put down money for it, and that gives them a whole lot of freedom. So can we just take a moment to marvel at how totally unlikely this is? Radiohead have a large, broad, devoted fan base, on a scale most proper pop stars struggle to muster. They have this while making a kind of music that, when it’s coming from anyone else, tends to get dismissed as marginal, obscure, and pretentious, or even a pointless, hookless, self-important snooze. They’re the one act normal rock fans trust to introduce them to sounds and ideas from further afield — from electronic music, experimental music, contemporary classical, wherever. No other band makes so many fans turn quite so studiously patient and open-minded. It’s as if the world has agreed that this is the one flagship group everyone will turn to for that experience — the band people will enjoy taking seriously, approaching slowly, and pondering as art rather than entertainment. The whole concept of “serious listening” has somehow become this one act’s brand. How improbable is that?