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01 National Anthem
02 Morning Bell
03 My Iron Lung
04 Karma Police
05 Knives Out
06 Permanent Daylight
07 Optimistic
08 How To Disappear Completely
09 Dollars And Cents
10 No Surprises
11 Packt Like Sardines In a Crushd Tin Box
12 Talk show host
13 Pyramid Song
14 Paranoid Android
15 Idioteque
16 Everything In It's Right Place
--Encore 1--
17 Lurgee
18 I Might Be Wrong
19 Climbing Up The Walls
20 You And Whose Army
--Encore 2--
21 Lucky
22 Fake Plastic Trees
--Encore 3--
23 True Love Waits
24 Street Spirit
Thom-
Good evening this is a song called Morning Bell, Packt Like Sardines
In A Crushd Tin Box (Thom- This song is dedicated to those who have
formerly destroyed their brains and for those who sit in traffic), Paranoid
Android (Thom- This song is for those who have problems when the moon
is full [Note: False Start, Thom- I got the first word wrong!] Everything
In Its Right Place [Thom- Tony, this song is for you]. True Love
Waits {Thom- A song thats been around since the O.k. Computer
days)[thanks Tony Hooper]

by Fritz
AMAZING show. Beta Band started with a few songs (none of which anyone
got into) and a heavy bashing of MTV. Kid Koala spun some records to
the delight of many (he even sampled Fitter Happier and Push Pulk, both
which elicited cheers from the crowd). Then, the bass notes for National
Anthem started and the evening began. >From the first song, Thom was
shaking and jumping around. Colin appeared very excited and Johnny rocked
out in his corner. They carried the energy into Morning Bell (Amnesiac
style) and brought it to a peak with the unexpected My Iron Lung. The
lights flashed and the crowd roared. Thom then donned an acoustic guitar
and strummed Karma Police to cool it down but asked the crowd "Are we
ready?" and went right into Knives Out. After sticking to the studio
versions of Permanent Daylight (which most didn't recognize) Optimistic,
How To Disappear Completely, Dollars and Cents and No Surprises, Radiohead
changing things up with Packt. With the breeze from Lake Michigan sweeping
through the crowd, Packt was filled with big bass and distorted noise.
Dedicated to our President "whose brain has been completed destroyed"
and "those who sit silently in traffic". Then, with Thom attacking his
guitar, the band played Talk Show Host. Next, with Thom staring into
the cameras, Pyramid Song came on. Before beginning the next song, Thom
proceeded to explain "when 1999 became 2000, i sat and stared at the
moon the whole night..... I'm a werewolf!... This next one is dedicated
to all those people who have problems with the moon" This was the opener
for Paranoid Android, which was excellent, but not quite as rocking
as Idioteque. As Thom raved out on the stage, the entire crowd danced
frenzily along to the song. To end the set, Everything in It's Right
PLace was put on, and the band members left one by one until Johnny
was alone, looping the track. Encore 1 Upon returning to the stage,
Thom proclaimed, "here's one from that record, Pa Pa Pa" then he shrugs
his shoulders and starts with Lurgee. I Might be Wrong followed and
Climbing Up The Walls was a welcome surprise. Encore 2 Returning to
piano vision, Thom does You and Whose Army while pointing to the crowd
over his shoulder when he mentions "his cronies". Then Lucky was played
and to end the encore, Thom began "Fake Plastic Trees", which everyone
in the audience sang along to. Encore 3 Single spotlight, Thom with
an acoustic guitar. He explains that "We've been kicking this song around
since OK Computer and we don't know what to do with it". Then he performs
True Love Waits. My jaw dropped. I was in heaven. I was also the only
one who knew the lyrics. To close it out, crowd favorite, Street Spirit
was played. Although it was 90+ degrees all day, no one went home unhappy.
by Johnny
after years of waiting, radiohead came!
being an avid radiohead bootleg listener, and missing the two chicago
stops on the ok computer tour, i had high hopes for the show at hutchinson
field on wednesday, and it didn't disappoint!
setlist:
[on stage at 7:50] main set: the national anthem, morning bell, my iron
lung, karma police, knives out, permanent daylight, optimistic, how
to disappear completely, dollars & cents, no surprises, packt like
sardines in a crushd tin box, talk show host, pyramid song, paranoid
android, idioteque, everything in its right place
encore 1: lurgee, i might be wrong, climbing up the walls, you &
whose army?
encore 2: lucky, fake plastic trees
encore 3: TURE LOVE WAITS, street spirit [off stage at 9:55]
we got downtown about 2pm and found thousands of people already waiting
in line. the closest we got to the stage was about 20-30 yards back,
but still had a fine view of the stage. absolutely beautiful venue,
with a kick-ass view of the sears tower to the left, and buckingham
fountain and the john hancock center behind the backdrop.
beta band came on at about 6:15 to the theme from the tv show frasier,
and after the first song the singer commented on the ridiculous policy
of the park district not letting anyone bring water in. there's money
to be had, and someone made a lot of it by selling water for $4 per
bottle. later in the set, beta band's singer wished mtv a happy 20th
birthday and read from the paper about how mtv controls the precious
teenage demographic that advertisers covet. dj kid koala spun records
for about 25 minutes, and included the theme from monty phython and
the holy grail, and snippets from pulk/pull revolving doors and fitter
happier in his set.
then radiohead came on stage slightly before sundown. jonny grabbed
his radio and colin kicked right into the national anthem. the song
fucking rocked, but i was kind of disappointed when i saw thom playing
guitar, which kept him from doing that goofy little jump at the end
of the song, like on saturday night live. before morning bell, thom
pointed at a large sanyo blimp that was circling the park. whose idea
was that anyway? there's a slight band huddle after karma police with
thom, johnny and ed, and then thom says "we're ready" and
then they kick into knives out. permanent daylight is a nice surprise,
and i'm not joking when i say that me and the girl next to me seem to
be the only people in the entire place that know this b-side. thom asks
the crowd "have we lost you yet?" before optimistic, probably
because no one had ever heard daylight before. packt like sardines sounds
amazing live, and colin's fuzzy bass fills up the space really well.
thom dedicates it to esso, saying how they spent $4 million to destroy
the president's brain. pyramid song sounds fantastic, and it was really
funny to see thom making faces at the camera during the song. before
paranoid android, thom points the beautiful full moon to the crowd and
says how he spent new year's eve 99 staring at the moon the whole night.
he also says how because of his stubble and the full moon he's turning
into a werewolf. the song is dedicated to all those people who act paranoid
during the full moon. they start the song, but thom fucks up the lyrics
and stops the band. he says it's a shame when he can't remember the
first word to the song. idioteque is also amazing. lurgee is a total
surprise, and sounds fantastic. after they come out on stage for the
first encore, thom says they're "going to play a song from pab......"
you and whose army is also awesome, and thom makes more funny faces
to the camera. thom comes out on stage alone after fake plastic trees
and thanks chicago for letting radiohead play in this cool park, and
hopes that it's done again. he also points to the chicago hilton and
towers and says "fuck the neighbors!" then he plays true love
waits, and this beautiful song sounds even better with the cool lake
michigan breezes and the fantastic chicago skyline complementing thom's
accoustic guitar. the rest of the band comes out and plays a great street
spirit to end an amazing show.
if this show is an indication of things to come for the second leg of
the north american tour, consider yourself lucky if you have tickets
for any of the remaining shows! thom was in an unusually chatty mood,
and compared to the first leg and atlanta, i was surprised at the new
order of most of the songs on the set. i was disappointed that the bends,
exit music, and especially airbag were absent, but i can't complain
much after this near-flawless show. on to toronto!
by Abe
i work in the downtown area of chicago, and when i took the train down
there and back with a coworker during the day of the radiohead concert,
she kept pointing at the roadblocks and traffic and stray newspapers
with big pictures of RH in them and saying, "look what your stupid concert
is doing to our city". and i must admit, the city turned itself upside-down
for this one. it's the first rock concert of this size to be held in
Grant Park, and the first ever concert in the Hutchinson Field section
of Grant Park. so, expectations and fears were all high. however, everything
went off without a hitch. as i drove to the show, there was a road sign
on the expressway that read: "RADIOHEADS PARKING, TURN LEFT"...an odd
thing to see. anyway, the concert was packed, even an hour before the
first opening act, and it was impossible to get close to the stage.
the closest i got was about 75 feet away, but it was still really crowded.
it didn't help that it was 92 degrees out and they prohibited bringing
your own beverages to the show. anyway, the opening acts: first up was
the Beta Band, who i like a lot. however, their set was pretty lackluster--
lots of playing stuff directly off of the cd as opposed to recreating
it. they made some popularly derogatory comments about MTV (whose 20th
birthday it happened to be), and reminded the thirsty masses that the
no-outside-water thing was "fucking out of radiohead's hands, so don't
blame them". next up was Kid Koala, who was okay. the energy started
out high, but then he just started playing some really slow beats and
weird synthesizer records. however, he did put on Pulk/Pull Revolving
Doors and Fitter Happier during his DJ-ing, so the crowd was happy.
on to radiohead. i won't do a song-by-song, but here's the general jist
of the show. right from the beginning, the crowd was appreciative, but
kinda subdued. not a lot of jumping around. that's not to say we didn't
go completely nuts when they took the stage, but people weren't singing
along right away. as for the band, National Anthem and Morning Bell
were great, but kinda stilted. then, they played My Iron Lung, and it
got much more rocking. Jonny was having a hell of a time during the
two guitar breakdown portions, banging away Pete Townsend-style. people
started getting loosened up and singalong-like with Karma Police. i
was happy to hear Permanent Daylight, which is an underheard song, and
they did a solid version of it. i think this was the first time they
played Optimistic during the Amnesiac tour-- i could be mistaken. Packt
was the only time a political jab was made during the show, with Thom
commenting, "This next song is dedicated to the people of ASOK." the
crowd let out a collective "huh?", and Thom only made things slightly
more clear by saying, "They have formally destroyed your president's
mind." during Pyramid Song, they put on a piano-cam where the big screens
forced you to stare right into Thom's face. he looked like some kind
of Blind Mole-Rat, but was still endearing. after the song, he said,
"That's for the moon" and pointed to the full moon we had above us.
after a few moments of silence, he said, "When 1999 turned to 2000,
I stared at the moon and freaked out all night. That's why i have this
beard-- i'm a werewolf. This next song is for everyone else who has
a problem with the full moon. it's called Paranoid Android." we all
cheered, and the song started. however, Thom began the song by singing,
"I-ah-uh-um..." and stopping. "can we start that again?" he said, politely
to the band. "I sang the first word wrong, and we can't have that, can
we?" the song began again, and the show reeeeally started rocking. everyone
was charmed and disarmed by the false start, and we were ready to go
with the band. Idioteque featured Colin doing this little dance like
he was in some kind of workout video for drunken white boys. however,
it was a peak experience and by far the best version of the song that
i've heard. Thom was undulating around like there was no tomorrow. it
was impassioned and powerful and i loved it. when the band came on for
their first encore, Thom said, "We're gonna sing a song off of pa...pab...papa...what
do you call it?...Pablo Honey." we didn't know what to expect. then,
they played a beautiful, straightforward, and loving rendition of Lurgee.
Climbing Up The Walls featured Thom playing the acoustic guitar with
his teeth. 'nuff said. the darkness of You And Whose Army was offset
by Thom's making goofy faces at the crowd on the piano-cam. Fake Plastic
Trees was another high point, since everyone sang along, and it felt
like being around the campfire with counselor Thom. for the third encore,
Thom came out alone and grabbed an acoustic. he thanked Chicago for
letting them play there, and said "thanks to the neighbors. nah, fuck
the neighbors." then, he informed us that "this next song is one that's
been kicking around since OK Computer and we STILL don't know what to
do with it. but here it is." he then made me the happiest man alive
by playing my favorite RH rarity and a song i had been listening to
all week, praying that they might play it: True Love Waits. it was a
specatacular version and i hope someone taped it. more importantly,
i hope they record it soon. finally, the whole band came out and played
Street Spirit, which was fun. we were sad to see our heroes go, but
that's the way it's gotta be. all in all, it was a first-rate RH show
and they seemed to love playing for us. we paid that love right back,
with interest. -abe
by Harrison
i just got back from
the best show i've ever seen in my life. it started with awesome sets
from the Beta Band and Kid Koala. the beta band were very interesting
and their vocalist was very charismatic. their songs were very long
though and grew very repetitive at times. They played for roughly 30
minutes before Kid Koala took the stage. He mixed some good beats and
even threw bits and peices of "fitter happier" and "pulk pull revolving
doors" into his mix. Then came the awesome Radiohead. The took the stage
and the place went crazy and there was a huge rush to the stage that
got me considerably closer. During the "national anthem" thom was shouting
something like "are we gonna get lost tonight?" and everyone went crazy.
They played all the favorites and at the beginning of "paranoid android"
thom stopped and said, "we have to start over. i got the first word
wrong and we can't have that." it was hilarious. Then The second encore
included "true love waits" this was the fourth time this song has been
played ever and i was so stoked that i was there for it because it is
my favorite Radiohead song. The final song (after three encores) was
"street spirit" which i really didn't expect them to play, but was none
the less amazing. This was an amazing show and anybody who has a chance
to see Radiohead this summer should do so because you will be seeing
the band in thier prime. thanx for reading harrison
by Benoit
Review: by Benoit
That was a truly amazing show! The band were in high spirits and really
seemed to enjoy the venue. All the songs were great but I was especially
glad to hear True Love Waits. Lurgee was also a highlight. They hadn't
played this one for a while. After the show, I waited for the band for
two hours near their bus (along with about 25 other patient fans). Then
Phil showed up, followed by Ed and finally Thom. They were so nice and
accessible! We got their autographs and had the opportunity to chat
with them a little. In retrospect, there are so many questions I wish
I had asked... Anyway, that was the perfect conclusion to a perfect
evening!
by Tony Hooper
National Anthem seemed
to start off a little bit tricky, the vocals were loud to the point
of distortion and if there were horns I couldnt hear them over
the din of the song. The sound was muddy for the first few loud songs,
and seemed to clear up a bit for the more quiet numbers. I have to admit,
I was one of those people who didnt buy a ticket.. I mean why
buy air? I already know what the band looks like and thanks to the giant
screens to accommodate fans such as myself, we didnt need to buy
a ticket to see them perform. Hey, the rent is due people! Goggles (a
friend) who reported from the inside said that the sound was much better
where we were, which was centered with the stage, just further back.
We hugged the fence the whole concert, while he stood on the other side,
just two feet away.
It was my understanding that they moved the show from Arvey field to
Hutchingtons field because the first batch of tickets sold out in four
minutes, so they decided to offer more tickets and move the show to
a larger field. There were a lot of people at the show, dont get
me wrong, but there was a clear fifty yards of space between the crowd
and the boarder fence. This space could have been a buffer zone however,
as a few people had the courage to run for it, and while their efforts
were valiant, most were caught and escorted out, despite the vocal encouragement
sounded by the rest of us. If the gates were closer to the crowd, it
would have been much easier to sneak in.
The show went very well and for me there were a few particular stand
outs such as Morning Bell, Optimistic, No Surprises, Paranoid Android,
Idioteque, Lucky, and the last and probably the best song all night,
Street Spirit. The band was energetic and showed no signs of touring
fatigue. Yes, this is the second leg of the tour after a break, but
they seemed generally enthusiastic about playing. Colin was grooving
on bass, his body language giving off the fine details of sincerity,
Johnny switching instruments with head swaying in rhythmic joy wonder,
Thom all out jittering like a moth toward a light, Phil playing the
drums like his sticks were candles lit at both ends, and Ed who clearly
felt it throughout, played genuinely.
What more could I say that if you werent there, could bring you
there? The light show was enjoyable but I never give details such as
that much attention when I go to shows, as I always try to concentrate
on the music. Light shows for me are for people who need help getting
into the music or cant get into it at all. A cool moment in the
show was at the third encore, the gatekeepers finally opened the gates
and all of us behind the fence got to move in closer and listen to the
final two songs, concluding with the almighty Street Spirit.
I even got a free ice-cream bar from the ice-cream cuties who gave me
one because I was writing lyrics/song titles down! I had a great time.
The show was amazing!
Tony Hooper
by Chuck Zinzer
The part of Grant
Park they played in is between Columbus Drive and Lake Shore Drive.
Despite the heat, the Radiohead show in Chicago was fantastic. The crowd
was pretty mellow, I think maybe it was way to hot to get stupid ya
know. We were close enough to see them quite well, and that they were
having a great time also. Colin couldn't stop jumping. Phil and Ed were
great. Jonny, I think was in as much a trance as Thom. I think Thom
enjoyed having those fisheye cams on the piano. He made some pretty
silly faces in the cam teasing us. Finally hearing Optimistic live was
a real treat! I can't remember what song it was, but there was a Sanyo
blimp in the sky, and Thom pointed his hand and "shot at it." For Pyramid
Song , Thom turned around and pointed at the moon, to which he later
dedicated it to. I remember, I had a pretty good view of Jonny. I was
looking at his eyes, and he was just staring up at the moon and how
it glowed amber against the purple sky. It was like his eyes lit up,
he looked like he was in a trance, being who he is, and what he does
and during the pyrimad song, I can't imagine the amount of energy or
intensity of feeling he must have had seeing that awesome sky above
a sea of radioheads, yet he showed no expression, no emotion. Like Radiohead,
the moonlit evening sky was just perfect for the Pyramid Song. Afterwards
Thom talked about how when it turned from 1999 into 2000, he was looking
at the moon. He mentioned something about needing to shave partly cause
other wise he turns in a werewolf. He then said this next one was for
those who get [weird or something] when the moon comes out. It was Paranoid
Android. Throughout the show, the look on Thom's face when he is up
there is just unreal. You can see how into it he is, especially on the
fisheye lens, he was like practically drooling all over it. I loved
it! I loved seeing him like that, such a true artist totally giving
everything he has in his performance for his fans. Before the third
encore, Thom came on and said thanks to Chicago for having them here.
I think they liked it here cause he said it's a pretty cool place to
play at in a kind of admitting way. It was so great to have them here
and to have them see the moon from the same part of the world I always
do. A night to remember. Chuck Zinzer
by Jason Skicewicz
All I can say is WOW!
Amazing from DJ Koala jamming Fitter Happier and Cypress Hill until
Headlining Radiohead came out. Thom and the whole gang seemed to be
on top and Feeeling thr part of true entertainers tonight. N.A. & Morning
Bell were the standard excellent starters, which didn't disappoint any
fans who hav'nt seen the shows on the tour yet. Iron Lung was a personal
fav, that just shook the ground. Much stage banter from the band (Thom)
Jonny's demonic guitar was the high for me!! Ripping many tunes from
Talk Show Host to Lucky... Thom's joy filled the whole area, which as
a cherry popping seemed to enjoy the band as much as it did the crowd.
Colin & Phil & Ed were the true inspriration that flowed thru song to
song. Each acoustic tune filled me with a full body Goosebump and FAke
Plastic Trees was just completely off the charts. I will never miss
a Radiohead show again!!! FYI - I paid 95 bucks after not getting the
1st set of tix, and "losing" in the W.A.S.T.E. lottery after thinking
I would not get any before the 2nd wave of tix. Not knowing there would
be a 2nd wave. Regardless, I would do it again, in a heartbeat to see
this amazing band and recommend you do whatever it takes to see them
too!
by GK
As most of you would
expect, ultimately amazing. The atmosphere was beautiful. The city and
sears tower projecting to the right of the stage where the sun slowly
dipped behind creating hues among the low lying clouds, to the near
full moon brilliantly shining which gleamed the entire evening. Thom
made several references during Pyramid Song. Those black eyed angels
nearly carried me off. whew... Brilliant, brilliant, brilliant... I
was forunate enough to catch True Love Waits at Santa Barbara. James
if you are there, I thought of you, and wish you were here. Thank You
Thom for the breath taking accoustic performance. Chicago was an amazing
enviroment. Besides the 25K packt like sardines in 95+ sweltering heat.
It is unbelievable how many times I was able to accumalate goose bumps
all evening long. The some what cool life saving breezes always came
at the right times during the peaks of the perfomances. I distinctly
remember during Green Plastic Trees... she looks like the real thing...
taste like the real thing... the wind swept through, causing my shackles
to rise and I stood there, with a smile plastered to my face. How sweet
it was. Ariel, Shannon what can I say... Can't wait for the Hollywood
Bowl!!
by cal roach
i've given up rating
concerts that i go to from best to worst; this year has just held too
many amazing performances for me to keep comparing them all. but radiohead
at hutchinson field was certainly one of the most dynamic, passionate,
spellbinding shows i've ever seen. i must admit, i was hoping for a
horn section for the opener, but it was powerful just as it was; got
the crowd moving right from the start. "morning bell" was beautiful/painful
as always; "my iron lung" just blew the roof off (figuratively, of course).
it was so sweet to see thom having such a blast, just enjoying the feeling,
making faces at us during "karma police." note to previous reviewers:
just because you didn't hear anyone close to you singing "permanent
daylight" doesn't mean you were the only one in the audience who knew
it! a lot of fans like to absorb rather than participate, and the b-sides
make me giddy, too, but i know sometimes people singing along loudly
is distracting. ANYway, i was really surprised by "optimistic"; they
haven't been playing it much, and it was fantastic, especially the electric
guitar crescendo at the end. "how to disappear", what can really be
said? brings tears to the eyes even on the album. "dollars and cents"
was WAY better than the studio version; i was reeling from the impact.
"packt like sardines" also; i didn't recognize it 'til the singing started,
but wow, colin was playing like a madman, and i couldn't stop moving.
"talk show host" i sort of expected in the encores, but it fit perfectly
where it was; it felt like a spaceship was abducting us all. "pyramid
song" was extremely touching, and since this was my first radiohead
show, i've been waiting all my life to see "paranoid android" live;
it did not disappoint. naturally, you can't continue if you miss the
first fuckin' line! "idiotheque" bounced me around all over the place,
and "everything in its right place" proved to be a great techno. . .jam?
obviously, it left us all wanting much more, but never in a million
years would i have guessed "lurgee". what a powerful performance, johnny
was just going apeshit. i was still thinking, "they have to play 'you
and whose army". . . before this show, i just couldn't figure out why
they always play "climbing up the walls", but know i see. mesmerizing.
and then finally, "army" (technically, it was still part of the first
encore), which surpassed all my expectations, tears mingled with sweat
dripping down my face. knowing they'd be back, i prepared myself (by
screaming?). i've always loved "lucky", and it was just overwhelming.
i hope my luck NEVER changes, from that moment on. . . i was rooting
for "bones", my buddy was rooting for "fake plastic trees", and he got
his wish, but i must admit, i was unprepared for the surge of emotion
that song would elicit from me. all in all, i got my wish after all.
then, i didn't know if they'd come back out or not, but i screamed my
lungs out just in case. thom on the acoustic. "killer cars"? no, TRUE
LOVE WAITS! my luck hadn't changed. you could hear a pin drop in the
audience, everyone was rapt. every strum was perfect. PLEASE tell me
someone taped this show! so that HAD to be the end, right? thankfully,
no. the band came back on, incredibly, and floored us with "street spirit".
"immerse your soul in love"; it no longer sounds ironic to me when thom
sings it. it is just what we all did for two and a half hours. am i
right? why can't we do this EVERY night? -cal roach
by Gina Pantone
Waiting 14 hours in
a 105 degree oven was worth the breath-taking experience to come.
6:00am
We arrived in Grant
Park at about 6am and had no idea where to go from there. Of course,
the giant stage came into view and we followed that. We came around
the backstage area and proceeded to the area where there were already
about 50 Radiohead fans already camped. Some arrived at 2:30am. The
atmosphere around us was surprisingly uplifting, considering the fact
that Chicago was right in the middle of a massive heat warning and the
sun was just coming up.
11:00am
There was a park area
with trees across the way, so many of us would take shifts watching
the stuff as we basked in what little shade was available. The sun beated
down on us until it seemed there was no air to breathe. All the people
waiting, including us, brought ample water and food to hold us over
and keep us hydrated. A few people brought guitars and a tambourine
and soon everyone crowded around them in a Radiohead sing-a-long. Some
people had T-shirts with "I Love Radiohead" written on them,
while others (like me) improvised by writing "Radiohead" on
various body parts.
1:30pm
At this point, it
reached about 105 degrees. Various news reporters would come by and
interview sweaty fans about the heat and the parks "no outside
water" policy. We were told that there would be no water of our
own to be brought into the park. Instead, there would be water on sale
for 4 dollars! The news helped us get the park to let us bring in a
least 1 bottle. To our amazement, they decided to let us in at 1:30,
instead of 4. Since no one expected to be moving, everyone abandoned
their things. I threw away a blanket, 10 bottles of water, an umbrella
and others thinking we were going into the park at that moment. Instead,
they let us into a holding area right infront of the gates where we
all were ordered to sit like children into sections depending on the
spot in line. I was about 2 people from the front when I heard the most
beautiful sound: Jonny's guitar strumming chords to Lurgee. Radiohead
was soundchecking about 40 feet away from us! All the fans cheered as
Radiohead performed a kind of mini-concert. They played parts of Lurgee,
Optimistic, the Tourist, Like Spinning Plates, Knives Out, Idioteque,
and another song I had never heard before. The fans sang along every
word and applauded after every song.
4:00pm
About 3 hours waiting
in direct sunlight and little to no water (since everyone threw away
their ample water supple due to misinformation), they started to search
our bags and set up metal detectors. Some people began to pass out from
heat and were taken away by paramedics. Surprisingly, my excitement
about the show helped me forget about the intense temperature. Then,
the gates opened. Everyone ran toward the stage despite the many park
employees yelling to walk. Finally...I took my place in the audience
in the fourth row! I could see pieces of Johnny's setup and was in direct
sight of Thom's mic. I couldn't believe it. The excitement soon wore
away as we were packed together for another 3 hours with no water. They
eventually took a fire hose to us about 3 times. Many people wee just
sitting down with their heads bowed. Everyone had this glaze of sweat
and water over their faces.
6:15pm
Finally, after hours
of listening to dance, barbershop and jazz music over the speakers...the
Beta Band took the stage. I had never listened to them, but heard that
they rocked. They were dressed in 80's attire and the lead singer frequently
had conversations with the audience. When he asked "How are you?"
Many people answered with "hot" or "water!" He then
yelled to the guys in charge of the hose and told them to "get
them fucking water, howd you like to be in there!" They sounded
awesome with the funky bass grooves and the DJ/keboardist had a ton
of energy as he jumped and sang along. The lead singer and bass player
often changed instruments. The highlight of the performance was "She's
the One for Me" as the singer changed to percussion and the bassist
changed to accoustic guitar. I was very entertained by them. Another
highlight was that if I stood on my toes, I could see Colin enjoying
the performance from backstage.
At this point I lost
track of time from the adrenaline from my stomach churning knowing that
Radiohead would soon be onstage 5-10 feet in front of me. I had heard
that Radiohead's set up requires a lot of time and that they would go
on at night. Kid Koala then took the stage as the roadies set up for
the headliners. I am not a fan of DJ's or dance music in general, but
I enjoyed him. He was a little guy who was always smiling and dancing.
He also sampled "Pull/Pulk Revolving Doors" and "Fitter
Happier" which obviously won over the crowd real fast.
For what seemed like
15 minutes after Kid Koala finished, Jonny ran onstage and picked up
his transistor radio/TV instrument thing followed by the rest of the
band and began "The National Anthem". The crowd went nuts.
I began to cry as I realized how close Thom and Jonny were to me. Colin's
distorted bass was over-powering as Thom sang. It seemed shorter than
usual, but awesome. Thom immediately then sat at the organ and announced
"Morning Bell". I couldn't believe I was watching this live
after so many times listening to it and seeing the Canal+ performance.
The crowd sang along to "everyone wants to be her friend, everyone
wants to meet her". Phil's 5/4 drumming was impeccable as Jonny
cut in with his guitar. Radiohead then tuned their guitars down and
began "My Iron Lung". Jonny was dancing and swinging his hips
to the guitar solos and seemed to stomp on his petals. This was the
first song that I noticed the amazing lighting. Then came "Karma
Police" and "Knives Out" with the entire audience singing
in unison back at Thom. I thought Thom was in a bad mood at first because
they were flying through the first 8 songs and he wasn't saying much.
After an awesome "Permanent Daylight" and "Optimistic",
it was very clear Thom was having a good time. I was able to make eye
contact with him and he flashed a brilliant smile. "How to Disappear
Completely" was next as the lights dimmed to a beautiful blue.
I then called my answering machine with my cell and left a message during
"I'm not here, this isn't happening" because it was such a
surreal moment. I also cried during this one! "Dollars and Cents"
was, by far, one of the best songs last night. The lights were blue
with white chasing lights lining the back of the stage during the verses
and during "quiet down", they became so intense it was blinding.
The funny thing about it was that Ed screwed up the harmony on "you
never go out and you never stay" and Thom and him looked at each
other funny and laughed. Ed didn't come in the next time. The band seemed
so into it. The wind blew through Ed's hair as he played making him
look like a god. After that, Jonny took his place at the bells and I
knew what was next, "No Surprises". This was another audience
sing-a-long. "Packt Like Sardines" was after, another highlight
song of the night. Radiohead seemed like they were playing another song
completely as they pushed the tempo, and distorted the bass line with
this dirty sound and Thom grabbed his tambourine and swayed with the
music singing "I'm a reasonable man, get off my case". "Talk
Show Host" brought the house down with orange lights as Thom beat
his guitar strings. The most beautiful song of the night, "Pyramid
Song", began with Thom taking his place at the piano with his back
to the audience. The lights went to blue and Thom dedicated it to the
full moon behind us. Colin had the stand up bass and scratched the strings
down the neck creating the eerie sounds. The wind picked up and blew
the silk screen behind the stage, revealing the beautiful Chicago skyline.
Truly breath-taking. Then came my 2 favorite songs back-to-back, "Paranoid
Android" and "Idioteque". Thom dedicated "Paranoid
Android" to President Bush and "For anyone who goes a little
crazy under the moon". The intro was fine and Thom stopped the
song because he started on the wrong word. He said would instead of
could I guess. Everyone laughed as Thom faked the beeping noise from
the album version and started over. "Idioteque" drove the
crowd into a frenzy. Something happened with the drum machine and they
carried on anyway. During the dance break Thom went nuts. Every limb
on his body was gyrating. Colin was jumping up and down as if he was
doing a work-out video when he wasn't playing the keyboard. It was great.
The closer, "Everything in its Right Place" was amazing. I
was a bit skeptical about it because I wasn't sure how it would fit
as a closer, but my worries were laid to rest after the first chord.
Thom sang it brilliantly and Jonny came in with guitar licks. As the
band played, Thom grabbed the mic with a big smile and held it out to
the crowd on the right side as we all screamed as loud as we could.
Then, he went to the left and did the same pretending he couldn't hear
us. He then walked offstage followed by everyone but Jonny, who stayed
and played the end. He then waved and left.
We cheered until our
throats bled and our hands were raw. I had heard the guy behind me chanting
"True Love Waits" constantly, knowing how beautiful the song
was, I joined him. We chanted it over and over until the band came back
for the first encore. Thom thanked us and said "This is a song
off...Pab...what was that album called again?" We went crazy as
they went into "Lurgee". I had a feeling they would play that
one since it was performed at the soundcheck. Jonny seemed bored with
that one though. Following that was a fabulous "I Might Be Wrong"
as Thom beated the tambourine. "Climbing Up the Walls" was
kick ass, and the lights went crazy. Thom screamed into the soundhole
in his acoustic for the end. "You and Whose Army" was beautiful.
It was during this song that I noticed the giant screen. I was close,
so I didn't even see the screen until I saw Thom's head swaying back
and forth. His back was to us, and there was a camera on the piano showing
the audience his face as he closed his eyes and drowned himself into
the music. The band left again and we all screamed and clapped. Again,
the kid behind me and I went into another "True Love Waits"
chant. Radiohead came running out again beginning with Ed as he clapped
his hands at us. Thom pretended he couldn't hear us as we screamed louder.
He had us put our hands into the air and Phil began "Lucky".
Then they went into "Fake Plastic Trees" and the whole crowd
of 25,000 seemed to know every word. Thom smiled as he said "it
wears me out". As the band left again I was sad. I knew that they
usually do only 2 encores, but I noticed that the lights didn't go out
yet. I stayed and chanted "True Love Waits" again and clapped
because my voice was starting to go out. To my amazement, Thom returned
to the stage alone with an acoustic guitar. He looked right at us and
announced "True Love Waits". His voice was the most beautiful
I had ever heard it. It resonated off the city buildings. Every time
he sand "don't leave" I would think how badly I wanted them
to stay. As it ended, the whole band returned to the stage and went
into "Street Spirit". Yet another gorgeous piece of music,
and perfect end to the perfect night. My dream came true and it will
forever haunt all my days.
Gina Pantone, Chicago
by Nic Dell
WOW! What an amazing
show. Probably one of my Top 3 shows ive been too. Radiohead has been
one of my favorite bands since The Bends came out. I cant believe Radiohead
came even remotely close to were I live. I'm from Iowa and I never thought
in my wildest dreams that I would ever get the privledge to see them.
The show started out with The Beta Band who was is a really good band
that didnt ,(in my opinion) get the respect they deserve. They played
about 5 of their tunes and then Kid Koala came on with a great performance.
I wasnt too familiar with this guys stuff, except for the masterpiece
rap album which is Deltron 3030 , which I strongly recommend. Kid Koala
shouldve came on for a lot longer though, I think The Beta Band's performance
was a little monotonous for the crowd in Grant Park. His DJ wizardry
is like non-other I have seen. He got off after what looked like stage
hands kicking him off. I cheered the loudest for him I think. After
that Radiohead came on after about another 30 minutes. When I first
saw Ed Obrien come out I was completely star struck and I went crazy.
Then all of a sudden people rushed towards the stage and I got about
40 feet away from the stage it was nice to be a lil closer to the band.
They played an awesome live version of National anthem and the show
rocked from there. I was very pleased to hear Lurgee , true Love awaits
and street spirit in the set. For those of you who think they were the
only true fans there you were very wrong. I could write more but I just
got back from Chi-Town and its 1:30 and im goin to bed. Overall I think
radiohead was in a great mood and they played the longest they have
played on this tour so we got a special show. Bottom line, the show
was life altering. Nic Dell
by Mike Holland
We were treated to a little pre-show treat as we waited inline to get
into the show. My friends and I went to get a bite to eat on Michigan
Ave. And we were walking back and heard radiohead bouncing off the hilton
hotel. We ran to get in line and see what was going on. They were sound
checking and for 1/2 hour sound checking. Was it a treat. Thom wasn't
wearing a shirt due to the heat, and boy he has a white body. They sound-checked
Reckoner, but didn't play it at the show. What a damn fine song. Now
if they only release that on album 6 with true love waits. Wouldn't
that be dreamy. later, Mike Holland
by Orion Kellogg
"Chicago is a pretty
cool place," Thom Yorke mumbled through a rare smile Wednesday night
at the close of Radiohead's amazing two hour-plus set Despite 90 degree
heat and bone-headed administrative decisions which barred concertgoers
from bringing in an adequate supply of water (I have a feeling the city
made quite a profit on selling bottled water at $4 a pop), Chicago must
have indeed seemed a cool place to play what with 25,000 fans absolutely
knocked off their feet by a varied and energetic set. The fans were
well behaved yet rabidly excited, the hot weather gave way to a cool
lake breeze and the whole field was eerily lit by the light of a full
moon giving Hutchinson Field, set right in front of Buckingham Fountain
with the country's most beautiful skyline as a backdrop, an unbelievable,
almost mystic air. And The Church of Radiohead was in full session.
The Beta Band hit the stage to the delight of a crowd which had, for
the most part, been waiting hours for a decent seat, and played an enjoyable
if unspectacular set. I consider myself a casual fan of the band, and
found a few moments quite enjoyable, but for the most part the crowd
was indifferent, save for wild MTV-bashing cheers when the lead singer
mockingly read from an article claiming that our whole generation were
jelly in the mega-station's hands. Kid Koala put on a great set that
I seemed to enjoy a lot more than anyone else around me but I doubt
that most Radiohead fans, I suppose, share my enthusiasm for electronic
music. There were cheers, however, for the few RH songs he mixed in.
The real excitement started when the first chords of National Anthem
hit, though. The sound was loud and amzing-I never thought an outdoor
venue of that size would have such great acoustics. It might have helped
that I was about fifty feet back, if even, and dead center. With the
crowd energized by NA, they kicked into Morning Bell, which was disappointing
in that it sounded more Amnesiac than Kid A, followed by the most incredible
live version of My Iron Lung I've ever heard. Thom was spitting out
the lyrics "The Bends" style and Johnny could hardly contain himself
as he strangled a few mute notes out of his guitar. Amazing. Karma Police
was unspectacular, but got the crowd going before "Knives Out". While
it's not one of my favorites (I think it sounds like a mellow Paranoid
Android), the live version does it justice. They followed their radio
hit with an absolutely stellar version of Permanent Daylight that not
too many people seemed to know and then kicked into sure crowd pleasers
Optimistic, How to Disappear Completely and Dollars and Cents. While
I preferred Permanent Daylight, these got the crowd going. The concert
hit another level though, beginning with a haunting "No Surprises" and
a version of Pakt that saw Colin playing his bass with a whole lot of
distortion and Johnny flat rocking out. It was the most rocking translation
of an electronic song I've ever heard, and really showed that all five
members (but especially Colin) were feeling it. Talk Show Host is always
a live treat, this time with Johnny going wild on synth at the end,
Pyramid Song was beautiful and Paranoid Android , after a mis-start,
went off pretty well (although they seemed a little rusty on this song,
more used to Knives Out maybe?) The highlight of my night though, and
maybe my life (hehe) was the absolutely stunning version of Idioteque
that began with Colin of all people dancing like a fool and ended with
Thom raving around the stage. The version was so intense that my sister
who was with me at the show actually passed out. (Don't worry, she's
ok!) Everything In It's Right Place continued the amazing live interpretation
of Kid A and closed out the first set. Those two songs blew anything
else I've ever heard live out of the water. After playing a song of
off "pa.pa.pa.pablo?" as Thom called it (Lurgee, a decent version),
they rocked through a bass heavy I might Be Wrong (Ed actually started
busting a move during this song!) they played an amazing Climbing Up
The Walls where Johnny fiddled brilliantly with a radio giving it an
even more haunting feel. They returned for a seond encore of You And
Whose Army (Thom pointed at the crowd when he said "chronies" and made
some delightful faces for the camera), a beautiful version of Lucky
which everyone joined in on and a crowd sing a long version of Fake
Plastic Trees. I'm pretty sure the band was done after Fake Plastic
Trees, but the crowd of 25,000 wasn't letting them go at that. After
what seemed like ages, Thom sneaked back onto the stage all by his lonesome
and did the unthinkable: HE PLAYED TRUE LOVE WAITS!!! Long one of my
favorites, I was in heaven. I hope someone taped this beauty as he added
a few unexpected chord changes. The crowd didn't know it, though, unfortunately.
The finisher was with the whole band, a moving "Street Spirit" that
was a fitting end. Thom seemed to love the venue, and rightfully so,
and the crowd seemed to more than love the band. All in all an amazing
show, played with energy after their recent break and an unusual amount
of gleeful enthusiasm. My hats off to Colin though who really carried
a lot of the songs and was very very active on stage, quite surprisingly.
Bravo!!! --Orion Kellogg
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