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Alpine
Valley Music Theatre | East Troy| USA | 23-08-03 |
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Congratulations to Emily VanWinkle and her fiance for getting
engaged at the Alpine Valley Radiohead show. Alpine Valley is a terrible place to view a show. Cables and girders and useless metal contraptions make is nearly impossible to find a good view once everybody stands up when the band enters the stage (unless, of course, you were one of the lucky minority with pavilion seating). The security guards constantly flash their lights into your face and threaten eviction for standing in the wrong place. The lawn hill is uncomfortable, and nobody would get off their cell phone during the highly-emotional songs. Should anyone accuse me of being obstinate, I would retort by arguing
that Radiohead's music should be kept sacred at all costs. For anyone
who keeps Radiohead in a cozy place in their heart, purchase reserved
seating or do not go at all - you risk feeling angry, disappointed,
and cheated out of a beautiful experience. Review by Matt Those of us fortunate enough to see the band the last time they were in town were blessed with a unique experience. The Hutchenson field show was a glorious event on a glorious night at a glorious location. ( http://www.ateaseweb.com/live/2001/20010801.php) Unfortunately, the city of Chicago chose to offer the coveted bill to none other than Shania Twain....So it's safe to assume the folks in charge of booking that location have completely lost their minds. I digress.... Having pavilion seats was surely a bonus. Although we weren't close, we had a perfect sight line to the stage. The projected video screens that flanked the stage were a good visual aid....but hardly enough to keep you staring at them and not the stage itself....which is good I guess. The sound was great and the light show was done really well. The boys were in good form, but one could not help but feel that they were at a Huge show...and by huge I mean the amount of people (I heard 35,000). The band 'filled the room' with music and everyone really enjoyed it. Considering the size of the crowd, there were a few 'Intimate' moments where it seemed as if Thom was playing to you personally. "You and Who's Army" was a perfect example of this. The camera mounted near his microphone provided the crowd with some very up close and personal moments with Mr. Yorke as he 'tongue and cheeked' his way through a powerful rendition of the song. Quite the showman. "We Suck Young Blood" also had a Fun vibe to it as well. The crowd was a bit off on the clapping part in the beginning...but by the chorus, they had honed it down to the correct rhythm. It was pretty cool to hear and be a part of. I would think the band enjoyed it as well. The song selection was somewhat predictable but nevertheless good. The opening selection was excellent. 2+2=5 is one of those great opening tracks and it transferred to show opener nicely. But I have to admit, when they played "The Gloaming' later in the evening, I could see that being a good opener as well. The prevailing haunting vibe of the track is accentuated by the chill in the night time air. Really spooky....but nice. In addition, Colin threw in a little twist on the base line at certain times....really cool. All in all, it was a great show. The entire band seemed to be really
into it. Johnny's guitar work was frantic and precise at the same
time. Colin jumped around and smiled as if he were one of us. Phil
was dressed like he had just came from a summer wedding in Oxfordshire,
and Ed was really into whatever it is he does. (we love ya Ed) But
Thom really did a spectacular job of singing, playing, dancing and
entertaining. A true host with the most. Lets hope they come back
again and play somewhere smaller and we all get tickets....nice
dream. "Unfortunately, the city of Chicago chose to offer the coveted bill to none other than Shania Twain....So it's safe to assume the folks in charge of booking that location have completely lost their minds. I digress...." Here is a link to Greg Kot's interview with Thom Yorke, where he discusses playing Grant Park again. http://metromix.chicagotribune.com/search/mmx-0308170404aug17.story Thom's answer: "The first time was a great experience, and we were tempted to repeat it, because it had quite an effect on us, playing underneath that skyline. But there's nothing worse than just repeating something that you're really fond of. It was one of the highlights of that year for us, but we wanted to do something different this time. It wasn't a case of someone in Chicago telling us we couldn't do it." In any case, yes, Alpine Valley is a trek from Chicago. But done with great friends, on such a beautiful moonless night with Mars shining down, it was a very special event. Despite the massive throng of people (we were towards the top left-center of the lawn, looking at the stage), the band managed to convey what a great time they were having, and put on a magnificent show. Andrew Review by Erik: Thank you, Shiera I have been to Alpine Valley many times for numerous shows, and
about the complaints, they're what I expected. Alpine is not the
type of venue to see Radiohead in. It is a Grateful Dead, or Dave
Matthews venue, purely for it's history and capacity, respectively.
I was lucky enough to have made some business transactions just
hours before the show, and somehow ended up with two 10th row pavillion
tickets. When I got to my seat, I was ecstatic, but I couldn't help
looking up the massive hill only to see the thousands of equally
excited people in a horrible spot. Luckily, the weather was amazing,
so I think that was definitely a plus for them. Yes, the setlist
was predictable, I think in part because of the new venue for Radiohead.
However, the show was pulled off with gust and lots of energy, which
made it see as if they were playing just for the pavillion. Since
situations merit your full attention, and because you listen and
get into every song about equally, I c Review by Ryan: Do you ever have one of those moments when you compare everything to one of the greatest experiences of you life. Well for me that night would have been this concert. Like the majority of the people posting about this concert I agree, the theatre sucks! This place is a horrible monstrosity with a parking lot that's about a mile away from the place, lying security guards that say you cannot bring blankets or sealed water bottles into the show when the voice over the P.A. is saying that they are allowed, and a lawn section that is number one, impossible to see from and number two, steeper than the average ski slope, BUT I DIGRESS. I was willing to put that all behind me because I was here to see one of the greatest live acts in music. But that wonderful enchanting night back in 2001 kept picking at my brain as I waited for Radiohead to come on. I tried to push it out of my head but i couldn't. When they came on stage some of that frustration went away. Of course, they were brilliant as usual. The "Hail" stuff was really cool to see live and they mixed in some classic older stuff. But the show lacked the intensity and the emotion that Hutchinson Field had. Alpine Valley proved to me how magical two years ago was. The one thing that sticks out in my mind was the final encore of "Everything in it's Right Place" and the lighting in the background scrolling FOREVER until they were long off the stage. Forever would've been a sign letting us know how long we'd be sitting in the parking lot after the show. Two hours to get out of a parking lot! Don't get me wrong this is the greatest live/recorded band in the world but my heart will always be in Hutchinson Field. Would I see this last show again ABSOLUTLY. But next time I will get better seats. Ryan-DeKalb, IL Review by Eli: For starters, and those of you Radiohead fans who don't know Malkamus and the Jicks (as I didn't) they were a great opening band. There weren't a ton of people there by that point yet, but the put on a good show anyway, and seemed to be having fun. Radiohead. The setlist didn't have any real surprises from the last shows, but it was still great. Thom and Colin especially seemed as though they were having the time of their lives, and I believe at one point Thom specifically said "this is so much fun!" His faces during You and Whose Army brought the song into a much more intimate feel, for us in the lawn area. Myxomatosis was introduced as "...a dirty song for dirty people!" and then proceeded to stand out as one of the concert highlights for me. Other highlights, for me at least, were Just, Idioteque, Street Spirit, and 2+2=5. Absolutely a phenomenal concert all around. I have no idea how many people were there (30,000 wouldn't surprise me, it was almost two hours before we could even get out of the parking lot), but it was a truly surreal experience for me. Thank you Radiohead, for finally coming to Wisconsin, and for keeping me awake, the entire 3 hours home. Review by Alison: The band was completely into their performance...from the opening notes of 2+2=5 to the prolonged conclusion of Everything in its Right Place. Ed and Colin grooved the entire night, Phil was all smiles and played great and Johnny was a mad man with his guitar work, especially during Paranoid Android. Thom stole the show. He danced around the stage like a possessed pixie…going from being completely lost in the moment of the song to simple crowd pleasing entertainer. The Gloaming was crazy intense. Colin's bass shook the entire valley…bringing you into the song by allowing you to feel the bass go right though you. Other highlights for me was hearing Fake Plastic Trees…was not expecting to hear it, witnessing Kid A live, and ultimately just being able to finally say that I have seen Radiohead. So, despite the frustrations that do coincide with any Alpine Valley
show, this fan left feeling extremely satisfied. Just a great, great
night seeing one of the most intense 2 hours of rock I have ever
seen… Review by Lon: Review by Jonathan: Last night behind a ski-resort outside of East Troy, Wisconsin at 8pm Radiohead entered the stage. The lights flashed as the band broke into 2+2=5 and the evening was set. Thom danced around the stage wearing two shirts both two sizes too large. Johnny hunched over with his hair hanging down over his face swaying. The rest of the band was in top shape and Colin smiled and sang along with all the songs. The best parts of the show included Thom’s improv on the words and some of the melody as he sang. Nearly every song he sang something a little different than on the records. During ‘you and whose army’ Thom spoke like he was an upper-class corrupt politician promising to hunt us down and kill us with this fingers crossed. At the end of ‘fake plastic trees’ the band stopped in perfect unison as the last verse echoed throughout the hill. (not to mention some newbie next to me in the crowd who turned to his friend and asked,"What song was that?" His friend responded," I don’t know, it was great though, I think it’s on The Bends.") It doesn’t really matter where you are at a radiohead show, because, they are so good and have so much spirit and play these songs so well that even from my view watching the jumbo-tron and sometimes peering down at the ant sized band I had one of the most amazing experiences of my life. Despite getting lost on HWY 50 on the way to the show due to bogus mapquest directions and having to stand on the lawn and look at the vast amount of space still left open in the seats and the pit, this was the best performance I’ve seen, better than Hutchinson Field, better than any live video on TV or concert bootleg. There were surprises at every turn and still after two encore’s I didn’t want the show to end. I still wish I was there in the cool breeze with my good friends Radiohead enlightening my life.
Review by Joe: Review by Alex: Review by Cal: if people are talking too loud, relocate, or ask them to quiet down. if you want to avoid obstructions, get there early. don't let asshole security guards distract you from the experience. and don't avoid alpine valley, especially if it's the only venue in the area that happens to be hosting radiohead. tune everything else out, and tune in to the music. i could have enjoyed the night fully with my eyes closed. and i will always be appreciative of the fact that i'm blessed enough to see a band like radiohead play an amazing show on a beautiful night. countless others aren't so blessed. -cal - Tweaker Review by Will: I can sympathize with those who were on the hill because I too have been on the hill for a concert at Alpine Valley, but I was in the pit for this show. Consequently, I saw an unbelievable performance by Radiohead. I was about 15 feet back and off-center towards Johnny's side. I had perfect vision of every member of the band, and I could look at the screens when I wanted to--no complaints here! For those who haven't seen any lives shows of them yet, you have to check them out live! I have a nice collection of live shows (both video and audio), and they don't do them justice. For the complexity of the arrangements, Radiohead is extremely tight on stage, and I'm always surprised how well they capture their recordings in their live shows. The energy of their performance also was a nice surprise. Everyone seemed to be in great spirits, a lot of smiling and joking went on. I don't remember which song it was, but Colin was up there mimicking Thom on the other side of the piano (lip syncing and making exagerrated facial expressions) when Thom was singing. Could Thom see him? Colin also led the crowd with the hand-clapping to "We Suck Young Blood". I know Jonny, the guitarTist, is an excellent musician, but I didn't believe it when he played the keyboards and the guitar at the same time. He was playing notes on his guitar while he was pounding the peghead of the guitar against the keys on the keyboard. I've never seen that done before. I guess he needs to challenge himself once and a while to keep himself entertained. There were a couple times when Jonny acknowledged the crowd, but he was mostly the consummate professional, keeping his mind on his music (switching between instruments and attacking his guitar). I especially enjoyed "You And Whose Army" with Thom's antics. He was flirting with/teasing the audience with his different facial expressions (moving his eyebrowns up and down, winking, smirking coyly, etc.) in the camera when he played piano. Then during the breaks in the song, he'd turn to the crowd and stoop low and slowly raise his arms up. The crowd responded by increasing the volume of their cheers as his arms raised. Then he'd turn around (the crowd stopping their cheering) and get back to his camera, cat-and-mouse games. I wonder if he does this at other shows because it was definitely a great moment of the show, and I think he should keep doing that--it went over quite well. I've never seen that side of Thom before. In fact, I believe every band member played to the camera at one time or another during the performance. I like the idea of splitting the screens, so they show each band member doing their thing because it's difficult to see everything everyone is doing--especially when Ed and Jonny are down messing with their electronic equipment. I will replay this concert in my mind FOREVER FOREVER FOREVER FOREVER FOREVER FOREVER FOREVER. :-) By the way, if anyone has any pictures of the show (I know someone in front of me took about 50 pictures of them) or any recordings of the show, I'd really like it if you'd share them with me. You can reach me via my website: www.wpw3.us. I'd like to put the pics in my review of the show. Will Westphal, MN Review by David: I never got to experience the alleged badness of the venue because my friend that I went with uses a wheelchair, so we had seats on the left-center aisle immediately behind the pit. But we DID experience some steep climbs as I pushed my friend up the hill (and one very helpful person pulled some of the way too!) on the way to a back entrance for wheelchairs. (No one bothered to tell us about the golf carts that could have taken us up there!) However, my angst over those difficulties (and the pain in my calf muscles) soon faded when I realized where we going to sit — much closer than I ever had before (I was 25 rows up for Merriweather a few days earlier). From that close of a distance, the boys in Radiohead cease to be mere rock stars; they become rock GODS. (Much thanks to my friend for having no qualms about using his wheelchair to score amazing seats!) The band. Radiohead was clearly loving being Radiohead at this show, which I thought was a marked contrast from the 2001 show in Chicago. The band members were chatting with one another, feeding off a lively crowd, and really getting into every song. I agree that Colin seemed to be having the most fun out of them all, but Thom was a total hoot. He was laughing between almost every song; it seems odd that this is the same man who seemed perpetually pissed in "Meeting People Is Easy." He totally hammed it up for You And Whose Army and his dancing was especially... eclectic... even moreso than normal. He worked the crowd quite well during Myxomatosis, too. Out of all the members, I had the best view of Ed, who might be the most sedate on stage (well, aside from Phil, but he has to sit and all), but even he was clearly enjoying himself and frequently acknowledging the crowd. This was especially evident, from Ed and all the other members, when they came out at the start of each encore. They didn't just walk out... I swear some of them were practically skipping. The pit was VERY appreciative. The songs. 2+2=5 is really a perfect opener that allows both the band and the crowd to warm up for a couple minutes before totally going nuts. My legs were shaking I was so excited to hear it after missing it at Merriweather cause of traffic. At the end of that I was just in rapture and never took my eyes off the stage from then on. Kid A was a nice surprise, and the lyrics are actually quite nice when not garbled by a computer. This show also gave me a new appreciation for Backdrifts and Go To Sleep, which take on new life on stage. However, the "most improved over the album version" award has to go to The Gloaming, even though it's already one of my faves off HTTT. They put a great twist on the ending, with the added bonus of turning your internal organs into jelly. Nice job, guys. Also, I think the crowd handled the hand-clapping during We Suck Young Blood much better than at Merriweather. There There was f'n primal as always with Ed and Jonny whaling away on the drums. Hearing Paranoid Android is just as incredible as the first time, and the moment the third part begins (with all the lights suddenly turning a brilliant blue) gives me chills. Hearing three songs off The Bends was nice. Just and Street Spirit were incredible. Fake Plastic Trees was, too, but I think the way the lighting was handled made it slightly less amazing than at the Chicago 2001 show. Of course, the first time hearing it is always the best, so my judgement may be clouded. Finally, hearing and seeing Thom do the end of Karma Police a capella with 35,000 people singing along (mostly on-key, no less!) is enough to make you misty-eyed. That may be the moment from this show that stays with me the most.
Review by Andrew: There was alot of good energy to be had at this show! In between songs the crowd rocked the place. Having never seen the band live before, I was pleasently surpised how nicely they incorporate the electronic elements of songs into their live show. Having driven down from Minneapolis to see the show, I can't understand why the Chicago folks complain so much about the location. Heck, I thought this WAS a Chicago venue! And next time, get a room at the Alpine Valley Resort. No traffic to deal with after the show, just the hot tub and a cold one! Andrew McGibbon Aside from the venue and the crowd (Thom made some comment about drunkenness and bad vibes before “Karma Police” that pretty much summed it up), it was a great show. Once I got a view, I could see that everyone in the band was having a great time, especially Thom. Radiohead is really in top form on this tour. I was at the Hutchinson field show, and while Radiohead’s performance there didn’t seem quite as tight as this one, I would have to say the overall experience was better. The venue was better, it felt like there was a better connection between the band and the audience there, and hearing “True Love Waits” live was a real treat. The crowd at the Hutchinson show was better too - I’m guessing this was because it was harder to get tickets and, unlike at Alpine Valley, people couldn’t tailgate and get smashed beforehand. I think I’ll be holding out for better seats at a decent venue next time. It’s just too frustrating to go to such a fabulous show and know you’re not getting the full experience.
the concert was awesome, in my opinion... the sound was wonderful, the visuals (lights, video screens) were awesome, although it took them a short while to get all the kinks out of the video screens.. for a while you could even see "s3" in the bottom left-hand corner of the video screen. kinda cute, but mostly annoying. hearing thom live was like nothing else i've experienced. he sounded unusually clean... pure... clear... if you're obsessed with radiohead and haven't heard them live, then you really haven't heard them at all. the way they are able to perform their tracks live is astonishing.. 'the gloaming' stood out as a highlight in my mind. at the beginning, very monotone, thom announced "this is the gloaming" which was then recorded and mixed into the song much like it would be done in eiirp. watching jonny at work was awesome, as well. he truly is a musical genius, moving gracefully from one instrument to the next, hardly looking up from his gear at all. i think it's wonderful the way he can truly emerse himself into the music. it's inspirational. colin was truly upbeat almost to the point childlike, the way he danced around on-stage, his antics adding to the wonderfully pleasant atmosphere of their set. phil was in typical form, doing his thing back on the drums... it was nice to actually see him singing backup at one point. and, of course, ed was ed... thom, though fairly quiet between songs (he doesn't chat much, does he?) was a true warrior poet throughout the entire show. he seemed fairly serious throughout the initial set (which went out the window as he came back on to perform 'you and whose army' while making faces to the camera and showing off for the crowd). it was nice to see him in such a good mood. he looked like he was truly enjoying himself, dancing merrily around the stage the entire night. i still believe his voice was in rare form that night... during 2+2=5, sail to the moon, scatterbrain, fake plastic trees (which brought tears to my eyes), and lucky (which i always wanted to hear live), i would prefer those vocal recordings over the studio copy any day... i was thrilled to hear 'street spirit,' and jonny's work done on the kaoss pad throughout their finale, eiirp, was fantastic... the ending of the concert was breathtaking; as the word "forever" repeated across the lightboard behind the stage and the chaotic voice reverberations from eiirp continued for (what seemed like) several minutes, the guys of radiohead modestly left the stage, as ed stopped to cheer and give thanks to the crowd before he, too, vanished. i would describe the night in one word: magical -- i can't wait to see them again in atlanta. Review by Mike: This being my first time at Alpine Valley, I didn't know what to expect, but we had reserved seats so I can't complain. And to all the people complaining about how far it is from Chicago, consider the people who live closer to Alpine Valley who got a break this time. I saw people from many states and I think at least some people would agree that driving through Wisconsin is preferable to going through Chicago. I also remember Johnny's guitar being quiet on at least two songs. The setlist was yes pretty standard, no surprises (no pun intended). During "No Surprises" the line about the government got a big reaction. "Backdrifts" was awesome. "Idioteque" seemed to really get the crowd into it, definitely a highlight. "You and Whose Army" was great though with Thom making faces at the camera and signaling to the crowd. Thom also sang something at the end of "The National Anthem" if I remember, but I don't remember what. I think before "Street Spirit" Thom said that they were hippies with short hair. "Karma Police" was introduced as a song about people who give off bad vibes called Karma Police. Overall the show wasn't emotional or anything, but I can say Thom (and the rest of the band) was really having a good time and thanked the crowd several times. I would have loved at least one surprise, but what can you do. Only complaint: There were 2 or 3 large screens besides those next
to the stage that could be viewed mainly by the lawn people. They
seemed to automatically cycle through the various cameras. Well
obviously you'd want to see the band, but it would often just show
the piano camera with no one there (during a song with no piano).
So instead of a shot of one of the band, you see an empty part of
the stage, pretty amateur if you ask me. Review by Gina Pantone: All Hail Radiohead These five lads from Oxford were there in support of their sixth LP Hail to the Thief, a hybrid of Radiohead’s two forms: melodic guitar driven misery and experimental electronic chaos. This tour, like anything the band touches, is void of corporate sponsorship and logos. The basic yet meticulous lighting formed what looked a giant futuristic rake over the side of a spaceship that landed on the stage. The lack of elaborate props and plain dressed members were of no concern as Radiohead plowed through a spectacular setlist, mixing new material with old favorites. Singer Thom Yorke, a wound up ball of ingenious energy, flashed a coy British smile at the crowd opening with album starter “2 + 2 = 5”, a gradual crescendo ending with Yorke pleading for recognition scolding “You have not been paying attention!” Following the chronological order of Hail to the Thief, “Sit Down Stand Up” was next, providing a piano intro resembling a calm tide as Yorke sprang to the microphone for the hypnotic outro chanting “All the raindrops”. The band played some tracks from 1997’s Ok Computer, including breathtaking “Lucky”, “No Surprises” and fan favorite “Paranoid Android”. Bassist Colin Greenwood grinned ear to ear, frequently singing along to himself and dodging invisible bullets at his feet, demonstrating that rock stardom is seldom boring. Lead multi-instrumentalist Jonny Greenwood remained in his corner of musical contraptions, closing his hair-covered eyes as he played. He was buried under various guitars and keyboards, while frequently utilizing his trademark Ondes Martenot, an instrument invented by French composer Maurice Martenot in the 1920’s. Greenwood punished his guitar strings with a sound like no other, incorporating noise solos over “Backdrifts” and latest single “Go to Sleep”. It seemed as the night progressed, Thom Yorke’s already perky mood turned hysteric—flailing his limbs as if they were no longer attached through the turbulent “the Gloaming” and live Radiohead highlight “Idioteque”. Sometimes the crowd seemed to be at a church revival, often parodying Yorke’s convulsions…imitating their leader. Stiff versatile drummer Phil Selway had company for set closer “There There” as the roadies brought out two toms for Jonny and rhythm guitarist Ed O’Brien. With guitars strapped to back, these side pillars of Radiohead created beats of thunder, leaving the audience yearning for any morsel of sound. Opening act, Steven Malkmus and the Jicks (formerly of underground early 90’s band Pavement) supplied an interesting overture to the evening playing tracks off of their latest release Pig Lib. Front man Malkmus, known for his sarcastic wit and slightly crazy soloing, ended each song with a sigh of relief. Although they could be considered an acquired taste, the Jicks were entertaining. Radiohead saved the best for last, concluding the night with two encores. Yorke took his throne at the piano for Amnesiac’s “You and Whose Army”, egging on the audience while hamming up the stationary camera. Colin Greenwood was sure his presence was known, tearing into the opening fuzzy bassline of the branding “National Anthem” in which Yorke became a deranged bobble-head doll, physically choking the microphone with every mumbled lyric. He left the audience with some romance advice before “Street Spirit”, “Here is a song to get you love at the end of the night, ‘cause we’re basically hippies with short hair.” They closed the evening with the familiar “Karma Police”, adding an acapella ending that echoed through the amphitheater and the haunting “Everything in its Right Place”. Each member said their goodbyes, as heroes ride off into the sunset, while Jonny Greenwood and O’Brien provided the soundtrack of an electronic trance. The lights went black, unveiling the uncontrollable roar of the crowd—a sound that will never cease for Radiohead. Review by Melissa: this was the third time i'd
seen radiohead and the second on this tour. i had been the first
person in line for the show and was lucky enough to actually be
the first one in the venue itself so i got front row center in the
pit. this was really a life changing night for me. it all started
with stephen malkmus talking to me during their set and pointing
me out as the first person in the pit but then i almost cried when
he told me that in my hurry to get down there i had ran right past
phil and not even noticed. and when i looked over at phil who was
sitting at the soundboard on the right, he just smiled and nodded.
but nevertheless, the concert was amazing. i was so happy to hear
fake plastic trees. and karma police. and having them all less than
20 feet away from you is awe-inspiring. i felt like a little kid
down there. every time one of them would look over at me i wouldn't
be able to breathe. and i loved being down there surrounded by people
who loved them too. it was all so surreal. and then to top it off,
i got thom's setlist and one of his picks at the end. it was an
amazing night. just like two nights earlier at blossom and the day
after in st. louis. all three concerts i was front row center and
at all three i seriously could have died from happiness. this was
really the best summer of my entire life. Review by Chris: The pit was genuinely excited and the band took advantage of it. Tom would randomly pick out someone and mimic them on stage. Johnny was 'just smiling and waving' a few times between songs where he did his best to destroy his guitar and picks. The rest of the band was bouncing, jumping, and grooving to the songs. And why not? Tom York was actually happy and everyone was enjoying it. They opened with 2+2=5. As usual they started slow, though it felt like the applause from the crowd lasted the first half of the song. Sit Down Stand Up marked the true beginning of Radiohead interacting with the crowd. Tom York was soon dancing, this was no seizure-esque movements but honest to god dancing between jumping all over the stage. He was jumping around smiling all over the place (and we were utterly confused at this). The new live version of Kid A was perhaps the most memorable. The sounds of this song began to everyone's amazement. Tom sang and hit a few keys to make varying sounds while Johnny manned his station of varying equipment. Everyone else was kind of grooving a bit on stage and doing their own parts. Now if anyone has a bootleg of this from the concert I bet you are going to suddenly become a vary popular person. As they continued from song to song with a minimal pause between them we hit a few more songs. The rest became a blur, it is hard to remember specifics when you are stick in a parking lot after two and a half hours of listening to bongo drums played by someone who lacks any sense of beat. Eventually they left the stage for the first time and came back a bit latter with the persuasion of the crowed (I thought I heard a few "I love you Tom!" shouted out). First up was You and Whos Army. With this Tom looked away from the crowed at a camera while playing on the piano. While he sung he would wink and raise his eyebrows as if flirting with the camera or the audience, knowing some of Tom's antics that night it is hard to tell. If a part came up between playing and singing he would spin around and slowly raise his stretched out hands instructing the audience to chear in increasing volume until he spun around and continued winking at the camera. When we got to Myxamatosis Tom said "This is a dirty song for Dirty people" and then they started playing it. In the next encore Tom said "This is a song for people who give off bad vibes" about Karma police. They ended with Street Spirit to which Tom said "This is a peaceful song because you are all a bunch of short haired hippies." Now I shall wrap up the review of Radiohead here before continuing to the full and detailed review of the parking lot. All I can say is this: That was the best concert I had ever been to and Radiohead is probably one of the best, if not the best, live band of all time. Hint: Despite what everyone says the best place to be at a Radiohead concert is the pit. This is because you can see most everything clearly (I am about 6' so your experience may vary, but I was standing in the back with no problem), Tom involves you by mimicking those in the pit while he is on stage, and also by addressing you during the songs. The view from the seats is not that wonderful and the view from general admission (the lawn) is abysmal. While Radiohead was almost flawless the venue was full of problems.
The Venue(read the parking lot cuz that's what people saw the most): There is a Radiohead drawing that best talks about the parking situation at this place… this is of course two of those stick figures with pacman like heads with one kicking the other in the crotch. Now I too can feel their pain after being stuck in that Parking lot for two and a half hours. As if that wasn't bad enough I had to listen to some supposed Radiohead fans listing to the likes of Eminem and (I swear) Britney Spears. I was two cars away from a group of five to six people. They were doing a hippy acoustic fest. Now the guitars were not that bad, however the guy who brought the bongo drums was. He could not keep a simple beat if his life depended on it. After half an hour we moved about two lanes up and was treated by being next to a bunch of drunks in a SUV (read as Suburban Assault Vehicle). Bear bottles were scattered everywhere and they picked up perhaps half of them (if you cant tell by now I hate litterers and I still have no idea how I survived looking at the lawn… which was basically a carpet of trash). Half an hour after that I was up to area 9. About six lanes of cars were merging into a one lane exit row of semi moving cars. However a new lane was apparently forming ever quarter hour. One of which was made by our SUV friend. After two and a half hours of stop and… stop and… go two feet traffic we finally reached the exit. How we did it without staying overnight is a mystery to me.
However I would like to finish this off with a guaranteed way to get out of a Alpine Valley. All that is required is a copy of Hail to the Thief (the one with the fold out road map). Now if you look at their map of the lot and the map that is in HTT and use your imagination you can see some correlation. I personally started at "No Way Out" so I then took a left and went to "Scapegoat". Now you cut up to "No Man's Land" before making a mad dash across "We Fell Into Our" to "Rag Doll". Now here is the tricky part. At "Flyswat" you must quickly turn up to "Cannon Fodder". See if you go to "Way Out" you just fell for their trap and you stay still for half an hour extra. Now just slip past "Can Of Worms" and you are home free.
This is the only ways out without inside connections or being the band itself. If not then you may as well spend the night in your car and leave in the morning. This saves you the aggravation and prevents you forgetting about and spoiling the concert.
-Chris W- Review by Eric: Alpine Valley is one of my favorite places in the US (large arena wise) to see a show. Yes, it's giant, but the sound is superb even 3/4 of the way up the lawn. Plus it's in the middle of rural Wisconsin and is just beautiful. To those complaining about traffic....what did you expect? It always takes an hour+ to get in and out of Alpine. But enough reviewing the venue, how about the show? The band sounded great, but an hour and a half of music? Maybe I'm just biased from all the 3 hour+ Phish and Dead shows I've been too, but if I pay upwards of $60 for a ticket, I expect more than a show that ends before 10 PM! This was my first Radiohead show and I was very impressed by how tight the band was. Colin and Thom really fed off of each other. I was very unimpressed by how little the songs varied from the studio versions (plus a bit of distortion here and there). Thom's voice sounded great, and played the rockstar role to the hilt. (Maybe a bit overdoing sometimes) Notable highlights of the show were the kid a, the gloaming>idioteque, there there (the drums!), and the everything in its right place closer. It was a good rock show, but didn't do much for me in the way of musical exploration. Especially after all the "Radiohead put on the best show I've ever seen in my life" reviews I've gotten from friends over the years. I did the old 'see if pavilion tickets were released at the last minute' trick and ended up scoring a fourth row seat about 4 hours before show time. I spent the first half of the show down there and let my friend go down for the second half. Pavilion is always nice and intimate of course, but as far as lawns go, the sound was great at Alpine and the clear cool night was perfect. A good solid show in a great venue, but nothing spectacular or mindblowing, at least from this fan's point of view. Review by Bill: The show at Alpine Valley was
like no other I have ever attended. Review by Ben: I just wanted to throw in my two cents in another review, if it helps at all. I could not see the band at all. Not one bit. Not one glimpse. Nothing. Thanks, Alpine Valley. I left during "The Gloaming." I wish I'd just stayed at home for the whole thing, to tell you the truth.
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