|
Hollywood
Bowl | Los Angeles| USA | 26-09-03 |
|
2nd show at the Hollywood Bowl. Always good for celebrity spotting.
Amir K. spotted all these people: On Friday, The Hollywood Bowl totally redeemed themselves! All the technical rough edges were smoothed out and the show rocked gracefully without a hitch. The quality of the sound was perfect, and the band played with confidence. You can tell they're playing well when they're so comfortable on stage that they start ad-libbing successfully and everything meshes well. The songs that were really a surprise were Kid A, Iron Lung, CREEP (They had to satisfy the Hollywood crowd), BIG IDEAS (They had to satisfy the die-hard fans), and Fake Plastic Trees. Other highlights included Phil's drums in The Gloaming, Jonny's xylophone in No Surprises, and just about everything in Wolf at the Door. Best Dressed: Phil in the white suit Sincerely, Frozen Winter Shit Highlights: Thom playing the first verse and chorus of "nude" (too bad not the whole thing, and too bad not with the whole band, but hey, this was on my wishlist and I was floored). Also, "creep," which is, for most of us who haven't caught rh in concert until more recently, a really great surprise. The mixing was much, much better tonight, and overall there was much less banter from Thom and much more performing. They played each song more aggressively and confidently tonight, too--they were really pushing the songs, improvising more, layering more, adding little touches. The crowd, who the night before seemed a bit tired and grumpy, matched the band's energy and was singing and dancing to everything (it was eerie and striking to hear thousands of people sing the "someone on your shoulder" response to Thom's second chorus of "there there," and everybody was singing to "creep" and "fake plastic trees," of course). If you're in any way on the fence about seeing the band live--maybe the tickets sold out and you'll have to pay too much through a broker, or the lines to get the tickets the first day seem too long--you really owe it to yourself to hear what these songs sound like in a charged, live atmosphere. Some of my favorite tracks absolutely JUMP to life on stage, notably "national anthem," "i might be wrong," and "idiotique." "there there" is feeling as classic, as moving, and as rocking a song as any on their setlist. And if the two L.A. shows are any indication, if you can only see radiohead once and if they are playing your town or city twice, see the second and last show. Just an amazing performance, reaffirming why radiohead are so brilliant. Review by Ned: fifth time I've seen them and fourth straight time I've seen them when coming through LA, and quite simply marvellous, the best show I've seen them do. A perfect combination of being able to pick from so many different songs and for being excellent performers. I was thinking when some of the older songs were played how they've moved from monochrome to full color over the years, if that makes any sense, and have so brilliantly done so. The combination of the revamped "Gloaming" into "Idioteque" was my personal highlight, "Fake Plastic Trees" satisfied an older me just as well. Review by WIll: this night went smoother than the previous night from an usher's standpoint. and it was great to hear a lot of songs that were not played the night before "morning bell' 'i might be wrong' 'creep' 'fake plastic trees' 'wolf at the door'. its amazing how they can nail every song perfectly. the highlight of the night was seeing Justin timberlake getting kicked off one of the promenades. Lots of celebrities there. thanks again Phil for signing my ticket stub after the show! Review by Jesse: It was an awesome night of performance. Granted, the Hollywood bowl crowd was stiff as hell with everybody standing stiffly through the entire show like they are in a general assembly to listen to their school principal lecture to them. It was a crowd not used to punk rock milieu, a crowd only accustomed to clean revenues with clean performance where attending a concert show is just like watching a music video on TV at home, except a lost closer to the band. It was an appreciable crowd w/ lots of cheers and hand clappings but still very uncomfortable and self-conscious and conforming, typical of LA crowd. Performance-wise, the show was just AMAZING with every song sounding as if coming from the deepest souls of human beings. The playing of creep was a surprise, and it was best version of creep I had ever heard with Thom changing the lyrics slightly, playfully. Radiohead confirmed that they are the best live band on earth. If only the crowd had thrown out their daily LA mentality away… Review by Scatterbrain: The Show for the hollywood bowl on the 26th blew the performance the day before out of the Water. I still am in shock that they played Creep considering that they distance themselves from it cause they have soooo much more than that. No one hit wonder there. Unfortunately Johny had issues with his guitar on creep on the first half but completly redeemed himself on the second half. Wolf at the door was awesome with thom yelling the lyrics into the security guy ear. "Go to sleep" was definetly a highlight, BIG IDEAS on the GUITAR!!!! tooo bad he did not finish it, i guess he was teasing a bit while Johhny was trying to get his guitar to work. National Anthem freaking Rocked. I am not a big fan of the Gloaming but after that show it is one of my favorite songs ever from radiohead... you appreciate sooooo much the genuis of there songs when they play them live. You and whose army? thom would get up from the piano and go towards the crowd and point at them, and made his teasing looks on the piano mounted camera. The whole bowl went crazy. They ended the night, which is a shame cause i wish they still were playing, Everything in its right Place closed the show awesome. On a not so important side note, Not as many movie stars from last year, but on my way out I saw Cameron Diaz with Justin Timberfake!!!. Still puzzeled why HE was there. I am still trying to recover from last night cause it was just amazing!!!!. Review By Mike O.: By experiencing the show the night before, I already had stuff in mind that could happen with their set. Like, possible change ups, and all of that. “Thursday, they didn’t play ‘Creep,’ maybe the would Friday? Of course they would, it’s the Hollywood show, maybe, just maybe,” I thought as we rode up again on the zoo shuttle bus from the Camel lot where we parked. Hah, I couldn’t believe I was right about last night, but it was amazing when it did come true. The fact that “Creep” is rarely played just makes it so much more special to hear, and hearing it being belted out (especially Thom’s cry at the end, when he screams, “Ruuuuuuuuuuuuun”) just made me appreciate everything about this group (even more). Goosebumps filled my whole body as they flushed quickly through my nerves. I didn’t think I’d ever hear something to beautiful. And indeed, their set was changed up in bits here and there. It was exciting to hear songs that weren’t performed the night prior, like “You and Whose Army?” “My Iron Lung,” “Wolf at the Door (beautiful performance),” “No Surprises,” “Kid A,” “Fake Plastic Trees,” and even that little bit of “Nude (Big Ideas).” Those additions helped make the night so much more special and unbelievably good. During “You and Whose Army,” Thom again messed around with the piano cam for the audience to giggle and scream at (I had heard he did the same at Shoreline?), making us all feel close with the band. The audience on Friday also seemed more into it than Thursday,
as I heard more crowd sing-a-longs with Thom on certain songs. That
was really a nice touch that helped shake the Bowl, during the show.
Gosh, everything about the show last night was incredible. And even
the finale with ending the show completely with “Everything
In Its Right Place,” like the night before, just closed the
evening out in style. Each member walked off stage leaving only
Jonny’s recording looping and “F – O – R
– E – V – E – R” in lights scrolling
in the background, finally turning white as the music ended. It
was beautiful, and I believe out of the two, it was better than
Thursday’s show Review by Drew: Tonights show was quite different than the previous night. Some will say better, but I just think it was different. Night one was mainly HTTT songs, having played 12 of the 14 tracks. Night 2 had its share of the new material, but had some of the older gems in it. Thom didn't seem as free-spirited tonight, as he danced very little, or at least compared to the previous night where it seemed he never stopped, and he never said more to the crowd, then "thank you." highlights of the night were certainly Kid A, Morning Bell, My Iron Lung, Creep, Big Ideas, Go to Sleep, You and Whose Army, and Fake Plastic Trees. The whole band seemed very focused on playing their very best, as each track was perfect. Things I took note of, were: *Colin's bass lines in "I Might be Wrong", *Thom changing the line in Creep from "I want a perfect soul", to "so I can look good next to you", *the way the crowd didn't recognize and therefore appreciate "Big Ideas", which was truly disspointing, *how well Johnny and Ed played off each other in Paranoid Android, *Johnny's solo bits in Go to Sleep, *Phil's percusions in the Gloaming were unreal, *the crowd's large cheer for the lines "bring down the government, they don't speak for us" in No Surprises, *how brilliantly funny Thom was with his piano-cam during the opening bits of "You and Whose Army", * how Wolf at the Door lacked its eerie feel, and the way Thom sang it, almost with anger, seemed as if he were telling someone off, * and how I thought I heard the opening notes of Motion Picture Soundtrack right before they busted into Everything in its Right Place All in all, the best Radiohead show I've been to yet. It will be hard to top this. Well done! Thank you. FOREVERFOREVERFOREVERFOREVERFOREVERFOREVERFOREVERFOREVERFOREVERFOREVERFOREVER Review by Derek: I thought that the performance was great. I have not felt that inspired to see a show since the time that Jane's Addiction played at the Universal Amphitheater during the "Ritual de la Habitual" tour. The vibe even going into the show was great. I did the whole shuttel bus thing from the LA Zoo to avoid getting locked into the stacked parking mess. I went up to the pic-nic area to finish some beverages that I has in a little ice chest and there were a lot of other people doing the same thing. Even some guys from Orange county with a chilled bottle of absynthe. Everybody chilled out and waiting with anticipation for the opening act to finish as the signal to wrap up our stuff and get to our seats. When I got to my seat there was a group there with some guy sitting in my seat. I told him that he could stay as long as I had my own space. The group was thankful and gave some hits from their joint during the show. You could just tell that the crowd, at least where I was sitting, was completely into it. I felt that the band gave the crowd a great show from the heart and not just going through the motions. The inclusion of "Creep" was really unexpected and cool. The muscianship alone of those 5 guys makes the money that anyone shelled out well spent. Thom hamming it up with the camera for the encore in the middle of I think it was "You and whose army" was funny but interesting. Thom especially emphasized the line "...you forget so easily." It seemed directed at the big wig record people here in town. It was a crack up to see the lunatic taking over the ward that is my hometown of LA! "Up the Beach" & "Out In LA" a few notes- during Big Ideas a car alarm was going off in the parking lot and it went along wonderfully. Something about the dichotomy of the pulsing LA car alram and the lone pure acoustic guitar. pretty technically sound show- johnnie had afew problems but nothing major...missed the first "CH-CH..(but I'm a...)" during creep...which is the real ass kicker...but he got the second ones. and the dedication to the chilis. lets see what san diego brings... and back to reality.... Review by Blaine: Flew in from Washington DC just
for Friday's show at the Hollywood Bowl and it exceeded all expectations.
Great venue, sound and light show. This was my first time seeing
Radiohead live and I must say I was impressed that such a complex,
cerebral and experimental set was at times even better live than
on recorded studio sessions. They were absolutely spot on when they
needed to be and spontaneous and improvisational where appropriate.
Very impressive to see such a confidently and joyously delivered
performance, especially in this genre of music, not to mention music
that has a darker, anguished edge to it in many places. Friday's
set which included several choice cuts from Kid A seemed to really
expand and improve those tunes, especially. Somehow, I wouldn't
have guessed that stuff was best done live. The OK Computer stuff
was great, if a little less enthusiasticly presented; and the songs
from Hail to the Thief were polished and excellently performed,
I loved it and nothing disappointed; I heard everything I hoped
for and more. To get chestnuts like "Creep" no doubt thrilled
the long time fan, but having only listened carefully the last couple
of years to this band, those just gave me a new appreciation of
songs I had mostly heard on the radio. Again, better live, even
with the guitar glitch. There were a couple of things in the setlist
Thursday I would have liked to hear, I suppose, but what we got
was really great and seemed the better set. The well mixed crowd
was on it's feet all through Radiohead (though largely absent from
Supergrass) and though they seemed mostly kinda reserved, many did
dance and sing and howl with the band as we got a show better than
one could hope for and the audience seemed to know it. The preshow
crowd seemed very very very mellow and I wasn't sure what to expect
from them, having seen many shows of all types in somewhat wilder
venues in Texas and the DC area. I didn't care much for Supergrass,
personally, though nothing against them, but I was thrilled with
the gift Radiohead gave us this night, and had no restraint in letting
it show. Thom was in great voice, but seemed a little tired a time
or two (sitting down onstage for a waterbreak?). He still had the
energy to fling himself into the material and get that moonskip
or whatever that is he does going. Teasing the pianocam and improvising
moves like hiding behind that gigantic security guard down front
at one point, as others have noted. Great stage presence and humor,
he seemed up for the more challenging vocals as well as the raw
punk blast. The rest of the band were first rate too, simply perfect
guitar (especially the solos!), keyboard/synth and percussion and
truly awesome basswork. Also, hard to pull off that wonderful blend
of acoustic and electric guitar seamlessly and coherently live,
but they did as if it was effortless. I can't say enough about how
fine the sound was, balanced and near perfect with only minor glitches
all night. Whether due to the band's team or the Bowl's sound crew,
it certainly worked. This band is so interesting in the way they
manage to convey technically accomplished musicianship, but are
willing to take huge musical chances and risk while showing such
spirit, elan and courage in their live shows. There seems no doubt
they love what they are doing, but they also don't seem overly impressed
with it...just deeply into it. Thrilling to watch and hear. Those
video strips either side of the stage that alternated straight and
acidblasted video were a good solution, rather than the huge screens
that dominate some shows. Lighting effects seemed well managed and
truly added to the music rather than distracting from it, or gimmicking
it up. Blaine Review by Justin: Hello, |
